Dr Kathryn Laing (Mary Immaculate College, University of Limerick)
Kathryn Laing lectures in the Department of English Language and Literature, Mary Immaculate College, University of Limerick. Her teaching and research interests are principally in late nineteenth-century Irish women’s writing, New Woman fiction, modernist women writers, periodical and print culture. She has published widely on Rebecca West, Virginia Woolf, George Moore, F. Mabel Robinson and Irish writer
Recent and forthcoming publications include: ‘Hannah Lynch and Narratives of the Irish Literary Revival’, New Hibernia Review 20:1 (Spring 2016); ‘“Am I a Vorticist?’: Re-Reading Rebecca West’s “Indissoluble Matrimony” and BLAST’ in Blast at 100: A Modernist Magazine Reconsidered, eds. Philip Coleman, Kathryn Milligan and Nathan O’Donnell (Brill, 2017); ‘F. Mabel Robinson: the Aesthetics of Sympathy and Texts of Transition’, Victorian into Modern: Suturing the Divide, 1875-1935, eds. Louise Kane and Deborah Mutch (London: Routledge, forthcoming); The Young Rebecca Revisited: 1911-1920’ in Women, Periodicals, and Print Culture in Britain, 1890s-1920s: the Modernist Period, eds. Faith Binckes and Carey Snyder (Edinburgh: Edinburgh University Press, forthcoming). Hannah Lynch: Irish Writer, Cosmopolitan, New Woman, a critical biography co-written with Faith Binckes, is under contract with Cork University Press.
She is the co- organizer and administrator of the Irish Women’s Writing Network, inaugurated at the 2016 Symposium. The network features in a forthcoming essay: ‘“Only Connect”: Irish Women’s Voices, Latin America and the Irish Women’s Writing Network’ in a special issue of Irish Migration Studies in Latin America (2017).
Dr Sinead Mooney (De Monfort University, Leicester)
Sinéad Mooney graduated from University College Cork with a BA in 1993, and an MA in English in 1996, followed by a DPhil from the University of Oxford (2002). Having been a lecturer in the English Department at the National University of Ireland, Galway, from 2002 to 2014, Sinead joined De Montfort University in 2014 as a Research Fellow and in 2016 was appointed a Senior Lecturer in English. Her research interests include Irish literature, modernism, the work of Samuel Beckett, and women’s writing, particularly Irish women’s writing of the late 19th and early 20th century, and contemporary writing. She has taught and published widely in these areas.
Publications include A Tongue Not Mine: Beckett and Translation (Oxford University
Press, 2011), which won the American Conference for Irish Studies Robert Rhodes Prize;
Samuel Beckett (Writers and Their Work, Northcote House, 2006); and Edna O’Brien: New Critical Perspectives. Co-edited with Kathryn Laing and Maureen O’Connor (Carysfort, 2006), and essays on Molly Keane, Edna O’Brien, Mary Lavin, Elizabeth Bowen and Kate O’Brien. Recent work includes essays on early English productions of Waiting for Godot and their traces in provincial theatre archives, and essays on Edna O’Brien, and the anti-nationalist narrative politics of Beckett’s Trilogy. I am currently working on an essay on Beckett and ‘outsider art’ and on the ‘decadent’ novelist Katherine Cecil Thurston as part of a book project on Irish women’s modernism.
I am the co-organiser with Kathryn Laing (Mary Immaculate, Limerick) of the interdisciplinary conference ‘Occluded Narratives’ Researching Irish Women’s Writing 1890-1910; (Mary Immaculate College, University of Limerick, 25-26th November 2016) and a founder member of the Irish Women’s Writing Network.
Anna Pilz is a scholar of nineteenth- and twentieth-century British and Irish Literature. In particular, her research interests focus on space and place; reception and intertextuality; and literature and the environmental humanities. She has published on Irish writing of the long nineteenth century, Irish theatre history, and Irish women’s writing. She is co-editor of Irish Women’s Writing, 1878-1922: Advancing the Cause of Liberty (Manchester University Press, 2016). A chapter on Lady Augusta Gregory and forestry management is forthcoming in a collection of essays on Women and the Country House (Four Courts Press, 2017).
Caoilfhionn Ní Bheacháin lectures in Communications at the Kemmy Business School in the University of Limerick. A graduate of Trinity College Dublin and the NUI, her PhD in English focused on the cultural history of the Irish Free State, specifically exploring the production, structure and role of alternative histories, temporalities and agencies in the decades following the war for independence. Emanating from this study, she has published essays on the dramatist Teresa Deevy, on radical newspapers and journals from the Free State period, and on alternative modes of activism and political protest.
Caoilfhionn Ní Bheacháin’s current research specialises in the study of Irish theatre and cultural history from the late nineteenth century through to the mid twentieth century. She continues to publish on the playwright Teresa Deevy and she is currently developing a project that explores the work of Evelyn Gleeson, the Dun Emer Guild and the broader Arts and Crafts movement in Ireland. She has co-authored several recent conference papers on the correspondence between Alice Stopford Green and important cultural figures such as Vernon Lee, Jean Jules Jusserand and Elizabeth Robbins. Additional research and teaching interests include visual communication, advertising history /ethics and cultural theory. Her work can be found in publications such as Eire-
Ireland, Estudios Irlandeses and the Dublin Review of Books.
Dr Whitney Standlee specialises in the study of Irish women’s writing, particularly the process of recuperating the reputations of overlooked or understudied Irish women writers of the nineteenth and early twentieth centuries. Further research interests include writings of Irish exile and the diaspora, Ireland’s contribution to and engagement with the literary fin de siècle, and the intersection of Irish literature, politics and popular culture.
Dr Standlee’s most recent publications include a monograph on the political content of late nineteenth and early twentieth-century Irish women’s writing (Power to Observe), which was published by Peter Lang (Oxford) in January of 2015, and a volume of essays co-edited with Dr Anna Pilz of University College Cork (Irish Women’s Writing 1878-1922) issued by Manchester University Press in July of 2016.
She currently acts as reader for the journal International Yeats Studies. Her public engagement activities include talks at the Ledbury Poetry Festival (2015) and the Irish in Britain Seminar Series (2011), and she also contributes to numerous and varied research conferences and symposia on Irish literature/Irish women’s writing. She is a fellow of the Higher Education Academy and serves actively as a member of the British Association for Irish Studies (BAIS), the International Association for the Study of Irish Literatures (IASIL) and on the board of the Irish Women’s Writing 1880-1910 Symposium.
She is currently undertaking research into a planned further two co-edited volumes on Irish women’s writing which will extend the project of Irish Women’s Writing, 1878-1922 through to the twenty-first century. Her next monograph project will be a study of both the real world socio- professional practices of nineteenth-century Irish women of letters and the literary portrayal of female homosociality in their works.
Dr Deirdre Flynn is a Lecturer and Academic Coordinator on the MA in Festive Arts at the Irish World Academy of Music and Dance. She has worked as a lecturer in English Literature and Drama at University College Dublin and Mary Immaculate College, Limerick. She recently completed a Visiting Scholar Fellowship at the Moore Institute, NUI Galway on the representation of ageing women in Post Celtic Tiger Literature. Her research interests include World Literature, Postmodernism, Murakami, Irish Studies, Drama and Theatre Studies and Feminism. She worked professionally as a journalist for a number of years. She has two edited collections on Irish literature due for publication in Summer 2018.