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News and information about other events in the field of late nineteenth-century/early twentieth-century Irish women’s writing.

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CFP – Conference

Irish Literature and Periodical Culture

Leuven Centre for Irish Studies

University of Leuven, Belgium
1 – 3 December 2022

Since the emergence of periodical studies as a distinct discipline some decades ago, the importance of literary magazines in shaping and influencing literary culture has often been demonstrated. Magazines have come to be recognised as test-tubes, taste-makers and nurseries for new, burgeoning talent. They have allowed scholars to map networks of influence and literary coteries, to trace forgotten writers and to question and broaden existing canons. The role of literary magazines in fostering innovation, mediating new literary trends or defending the status quo makes them very valuable for studying developments in literary traditions as well as charting a writer’s career.

Periodicals also played an important role in the production, mediation, dissemination and reception of Irish literature. Think of the way mid-nineteenth-century magazines like The Dublin Magazine and The Nation fostered the work of William Carleton and Jane Wilde, or how the literature of the Gaelic Revival was disseminated through the Irish Review and The Irish Monthly. Popular story papers, too, have been shown to play a role in the creation of a successful strand of popular Irish fiction in the early-twentieth-century, while the more serious mid-century periodicals like The Bell and The Irish Statesman sought to create an Irish national literature in the decades after independence. Meanwhile, periodicals such as Lagan and Rann carved out a space for writing from the North. In the 1970s, a new generation of poets gathered under the Irish-language magazine Innti and in our own time, magazines such as The Stinging Fly, Gorse and Winter Papers have been instrumental in the current flourishing of Irish short fiction.

By exploring the intersections between Irish writers and the (transnational) periodical press, this conference aims to further scrutinise the ways in which periodical culture in Ireland has impacted writers’ careers, codified the development of literary genres and conventions, and influenced the course of Irish literary history and the canon more generally. We invite papers and panel proposals on subjects related to the connections between Irish literature and the periodical market in the broadest sense: from early miscellanies and nineteenth-century reviews to popular story papers and modernist little magazines, across all genres.

Topics may include but are not limited to:

  • The periodical presence of Irish writers, both within and outside of Ireland
  • The functions, forms and characteristics of literary periodicals
  • The relation between periodicals and specific literary genres
  • Periodicals and book reviewing
  • The periodical and its readers
  • Periodicals and canon formation
  • Gendered periodical spaces
  • Periodicals and marginalised voices
  • The relation between the periodical and other media forms
  • Materiality and literary hermeneutics within magazine contexts
  • Periodicals and networks of literary alliances, coteries and enmities
  • The role of literary editors
  • Periodicals and genre hybridity
  • Tensions between culture and commerce; literary and popular forms of literature; or regionalism and cosmopolitanism in Irish literary magazines
  • Periodicals and literary collaboration
  • Periodicals and the digital

Confirmed plenary speakers
Professor Frank Shovlin (University of Liverpool)
Professor Fionnuala Dillane (University College Dublin)
Professor Stephanie Rains (Maynooth University)

Please send a 250-word abstract along with a short biographical note to phyllis.boumans@kuleuven.be and elke.dhoker@kuleuven.be by 1 May 2022. Papers should not exceed 20 minutes. Please submit your proposal in Word-format only. Contingent on the current health and international travel situation, the conference will be held in the Irish College in Leuven, where accommodation is also available. Further information about the conference will be announced on the website of the Leuven Centre for Irish Studies (https://ghum.kuleuven.be/lcis).


Global Perspectives in Irish Literary Studies: New Series – Call for Proposals

Global Perspectives in Irish Literary Studies will publish monographs and edited collections exploring exciting new critical paths and interventions within Irish studies by showcasing global, comparative and transnational viewpoints on Irish literature and culture.

It will feature established and emerging scholars working on cutting-edge investigations that shed new light on well known authors and discussions, map the global and transnational routes which have produced and disseminated Irish literary culture, and interrogate the concept of the global and ‘Irishness’ – all whilst remaining alert to nuances surrounding global critical debates.

Research will be theoretically informed, offering fresh perspectives on a range of issues, methods and theories including migration, gender, climate justice, world-systems, critical race and postcolonial theories, and intersections between Irish literature and the medical humanities as well as dis/ability, queer and ecocritical studies.

Opening up a critical space for comparative studies of Irish literature beyond the standard transatlantic coordinates, the series will establish a new agenda and new methods for the study of Irish literature, inspiring a fundamental rethink of the grounds of the field and probing the continued relevance of a nationally defined literature in our current age.

Challenging the impulse to return to previous debates about the formation, definition and history of ‘Irish’ literature by complicating the reductive binaries that have at times dominated discourse in Irish literary studies, this series provides the space to expose oversights in critical commonplaces and dynamically complicate the terms of critical debate.

Forthcoming books
Sex, Nation and Transatlantic Literatures by Agata Szczeszak-Brewer

Series editors:

James Little is a postdoctoral researcher at Charles University, Prague and Masaryk University, Brno, Czechia. He is author of Samuel Beckett in Confinement: The Politics of Closed Space (Bloomsbury, 2020) and The Making of Samuel Beckett’s Not I / Pas moi, That Time / Cette fois and Footfalls / Pas, published with Bloomsbury and University Press Antwerp (2021) as part of the Beckett Digital Manuscript Project.  

Christina Morin is Senior Lecturer in English at the University of Limerick, Ireland. She is the author of The Gothic Novel in Ireland, c. 1760-1829 (2018) and Charles Robert Maturin and the Haunting of Irish Romantic Fiction (2011). She has also edited, with Marguérite Corporaal, Traveling Irishness in the Long Nineteenth Century (2017) and, with Niall Gillespie, Irish Gothics: Genres, Forms, Modes and Traditions (2014).  

Cóilín Parsons is Associate Professor of English and is Director of the Global Irish Studies Initiative at Georgetown University, USA. His publications include The Ordnance Survey and Modern Irish LiteratureRelocations: Reading Culture in South Africa (co-edited with Imraan Coovadia and Alexandra Dodd, 2015) and Science, Technology, and Irish Modernism (co-edited with Kathryn Conrad and Julie McCormick Weng, 2019). He also co-edited with Agata Szczeszak-Brewer a special issue of Interventions: International Journal of Postcolonial Studies called “South Africa and Ireland: New Geographies of Comparison.”

Editorial Board:
Lauren Arrington, Maynooth University, Ireland
Ian Campbell Ross, Trinity College Dublin, Ireland
Claire Connolly, University College Cork, Ireland
Marguérite Corporaal, Radboud University, the    Netherlands
David Dwan, University of Oxford, UK
Beatriz Kopschitz Bastos, Federal Univerity of Santa Catarina, Brazil
Radvan Markus, Charles University, Czechia
Barry McCrea, University of Notre Dame, USA


Have a monograph proposal that would fit this exciting series?

Submissions can be sent to:
Lucy Brown
Commissioning Editor: Literary Studies and Creative Writing
Bloomsbury Publishing
lucy.brown@bloomburypublishing.com


IWWN Virtual Symposium: Collaborations and Networks

September 3 & 4, 2021

For full details on our conference click here.

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Fiction/Biography: A Conversation with Nuala O’Connor and Eibhear Walshe

January 5th, 2021 3:00pm EST

This conversation brings together two novelists who thread the needle between fiction and biography. Nuala O’Connor’s Nora: A Love Story of Nora and James Joyce (HarperCollins) and Eibhear Walshe’s The Last Day at Bowen’s Court (Somerville Press) are told from the point of view of two very different Irishwomen—Nora Barnacle and Elizabeth Bowen—and draw from biographical material but are not beholden to it. In this discussion moderated by Heather Bryant Jordan, the authors will consider the relationship between history and fiction, writing writer’s lives, and writing women’s lives.

https://blogs.cuit.columbia.edu/ecb2180/2020/12/17/fiction-biography-a-conversation-with-nuala-oconnor-and-eibhear-walshe/

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Disability and the Archive: Teresa Deevy in Context

February 10th, 2021 9:00am EST

Dramatists, scholars, and disability activists have started taking an interest in a deaf Irishwoman who was once considered the premiere national playwright of her day: Teresa Deevy. Interest in her life and works has taken different shapes, from those drawn to her representations of women living circumscribed lives in 1930s Ireland to those who want to recover a neglected history of deaf artistry. In a series of panels, we ask what it means to look in the archives for a writer as elusive as Deevy. Where do we find information about Deevy and her work, and how is this quest inflected by the needs of the present moment? This symposium will include discussions between archivists, scholars, theatre historians, disability activists, performance artists, and directors to examine the various ways of finding Deevy in a historical record that has too often blotted her out.

https://blogs.cuit.columbia.edu/ecb2180/2020/12/17/disability-and-the-archive-teresa-deevy-in-context/

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13th Annual VPFA Conference

‘Victorian Inclusion and Exclusion’

14-16th July 2021

Online, with MS Teams

Hosted by the University of Greenwich, London

https://victorianpopularfiction.org/vpfa-annual-conference/

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Sarah Harriet Burney (1772–1844), author and translator, a talk presented by Dr Gillian Dow (University of Southampton), followed by a response provided by Prof. Michael Cronin (Trinity College, Dublin). The event will be hosted online by the Institute of English Studies, on Wednesday 25 November, 3-4pm https://www.ies.sas.ac.uk/events/conferences/women-translators-and-authorship-sarah-harriet-burney

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11th International George Moore One-Day Conference

George Moore at Home: with Women, Writers, Dramatists, Artists, in France and Ireland, in Salon and at Newgrange.

Courtesy National Gallery of Art, Washington

Saturday 24 April 2021: Online and at Mary Immaculate College, University of Limerick. 

The George Moore conference will definitely take place at Mary Immaculate College, University of Limerick.  Circumstances will determine whether it will either be fully virtual, or a blended event that will be both online and with some speakers attending in person. Proposals are welcomed from attending speakers and from online participants.

This one-day event includes the film premiere of a comedic piece, ‘A Question of Style’, penned by playwright Conor Montague and directed by David Clare (MIC). Set in Coole Park, the play is based on the ill-fated collaboration between Moore and Yeats to create a dramatic reimagining of the legend of Diarmuid and Gráinne for the Irish Literary Theatre in 1901.

In April 2021, the writings of Mayo man George Moore (1852-1933) will be honoured once more at the 11th George Moore International Conference at MIC, University of Limerick. Focusing on the concept of home in the life of Moore (was it Paris, Dublin, Mayo, London, the world of letters?) the event will be an investigation and celebration of the incredible literary legacy of Moore, its ground-breaking patterns, and the utter relevance of his approaches for the 21st century.

In his lifetime, Moore was honoured by artists and writers – and feared and condemned by a puritanical public for his honesty.  Recognised as importer of French modernism into English literature, as the most significant influence in introducing impressionist paintings to England, as trailblazer for modern autobiography and memoir, Moore also excelled in several other genres: Émile Zola and Guy de Maupassant ‘borrowed’ from Moore’s A Modern Lover (1883);  the structure of his short story collection The Untilled Field was the model for James Joyce’s Dubliners and the conclusion of ‘The Dead’ is reminiscent of Moore’s Vain Fortune (1891). The trail of connections and influences and cultural circles stretches from Mayo to Paris, London and Hollywood (with Glenn Close in Albert Nobbs, the 2012 film of Moore’s atmospheric story).

While Moore faded temporarily from general memory, it was because England viewed him as a little dangerous, too French, too Irish and too Catholic, while bourgeois Ireland also feared him but saw him as insufficiently Irish and Catholic, and Mayo remembered unwelcome disclosures of contemporary unorthodoxy!  More recently, Moore is much appreciated for his pertinence and artistry.  More than a century ago, Moore identified the perils of clerical dominance, embraced the European novel, supported women, sympathetically understood the multiple complexities of human sexuality, and wove visual art and music into the novel. Those paths are the routes frequently now chosen by writers, and such qualities are appreciated by today’s readers. 

In approaching the topic of home, it is timely to remember a wise counsel, that Moore studies should “think through the interlinked intellectual cross-currents between his work and that of his contemporaries both as part of a process of canonical reappraisal and as recognition of the impossibilities of placing the truly individual artist into neat categories or movements.” (Heilman and Lewellyn 2014, 16).

Proposals for short papers are invited from individual speakers and from themed panels. Topics could include, but are not limited to:

  • Paris, Dublin, London: the George Moore Networks
  • George Moore and his Irish female contemporaries: Emily Lawless, Lady Gregory, Hannah Lynch, Elizabeth Bowen, Kate O’Brien
  • Moore’s Literary Inheritances and Legacies
  • George Moore and the New Woman
  • Moore’s intersections and collaborations with writers
  • Moore and Magazines, Periodicals, Victorian and Modernist Print Cultures
  • Reception of George Moore

Deadline

Abstracts (200 words) for papers proposed (20 minutes maximum delivery time) should be accompanied by a short biographical note (100 words), plus full address, institutional affiliation and email. Please send abstracts to Kathryn Laing (kathryn.laing@mic.ul.ie) and Mary Pierse (piersemary@gmail.com) by 31 January 2021.

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Moving texts: from discovery to delivery

SHARP 2021 annual conference
Hosted virtually by the University of Muenster, in collaboration with the Law and Literature research group (DFG SFB 1385)
26-30 July 2021 https://www.sharpweb.org/movingtexts2021/index.php/call-for-proposals/

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Call for Papers
Romance, Revolution and Reform Virtual Conference
13th January 2021
‘Transnationalism in the Long-Nineteenth Century’


The Long-Nineteenth Century saw immense changes in transport, travel, infrastructure, technology, exploration, journalism, and politics that dramatically transformed the ways in which places and people around the world were connected. Steam trains and telegraph cables, photography and newspapers made the world a smaller, more connected place for some, and alienated others. Yet these technological advancements, and the transnational networks they facilitated, are often viewed from a Euro-centric perspective.


Now, more than ever, it is important to think globally and to challenge these dominant Euro-centric narratives. This interdisciplinary virtual conference aims to create an open forum where transnational research into the Long-Nineteenth Century from around the world, and from across the Arts, Humanities and Social Sciences, can come together. It aims to challenge our sense of nineteenth-century Britain’s place in the world, and to explore how scrutinising these narratives can contribute to wider ongoing discussions about the ways to challenge racism and prejudice.


We welcome proposals for 10 to 15-minute papers, and 5-minute lightning talks from disciplines across the Arts, Humanities and Social Sciences and from scholars around the world at any stage in their academic careers, including MA students. We are especially interested in interdisciplinary submissions and encourage papers from archaeological, ethnographical, musical and social sciences perspectives as well as those from literary or historical ones. Potential topics could include: global citizenship, religion, gender and sexuality, black British literature, decolonisation of arts and heritage, slavery and emancipation, imperial studies, political reform, philosophy, transnational print cultures, boundaries and redefining them, mapping, British colonialism in Ireland, international trade and exchange, Orientalism/Occidentalism, and eco studies.


Speakers will have the opportunity to submit their papers for consideration for Issue 4 of RRR, which will also take ‘Transnationalism’ as its theme. Abstracts of up to 250 words and bios of up to 75 words should be submitted to rrr@soton.ac.uk by 17:00 on Monday 2nd November 2020. Submissions should be formatted in a Word file and attached to the email; please also include your full name, subject of study and any institutional affiliations in your submission.

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YELLOW NINETIES 2.0 (https://beta.1890s.ca/about) is an open-access scholarly resource for the study of eight British Fin-de-Siècle little magazines in the context of their production and reception. In addition to a searchable digital edition of each magazine, we provide a critical overview of the title and a scholarly introduction for each volume in the series, as well as a historical archive of contemporary promotional materials and critical reviews. Two biographical tools—essays on individual contributors and the Y90s Personography—facilitate discovery of the people and networks that created the artwork and literature in these magazines.

The Y90s Magazine Rack holds the following titles: The Dial, The Evergreen: A Northern Seasonal, The Green Sheaf, The Pagan Review, The Pageant, The Savoy, The Venture, and The Yellow Book.

We are currently looking for specialist scholars—at any career stage and with or without institutional affiliation—who wish to provide biographical essays on persons (e.g. literary or journalistic contributors, illustrators, artists, engravers, printers, publishers, editors) with substantial links to little magazines available from our website.  All submissions undergo peer review, and essays are usually published within a month from formal acceptance.

https://beta.1890s.ca/biographies/

We welcome your own suggestions, but we can also supply you with a list of subjects that we ourselves are particularly looking to commission.

If you are interested, please contact:
Biographies Acquisitions Editor Koenraad Claes (koenraad.claes@anglia.ac.uk) or
General Editor Lorraine Janzen Kooistra (ljanzen@ryerson.ca).

*****

11th International George Moore One-Day Conference

George Moore at Home: with Women, Writers, Dramatists, Artists, in France and Ireland, in Salon and at Newgrange.

Courtesy National Gallery of Art, Washington

December 3rd 2020  (in the current circumstances, the conference may change to online or be postponed to Spring 2021)

At Mary Immaculate College, University of Limerick, Limerick

This one-day event includes a performance of a comedic piece, ‘A Question of Style’, penned by playwright Conor Montague and directed by David Clare (MIC). Set in Coole Park, the play is based on the ill-fated collaboration between Moore and Yeats to create a dramatic reimagining of the legend of  Diarmuid and Graniafor the Irish Literary Theatre in 1901.

In December 2020, the writings of Mayo man George Moore (1852-1933) will be honoured once more at the 11th George Moore International Conference at MIC, University of Limerick. Focusing on the concept of home in the life of Moore (was it Paris, Dublin, Mayo, London, the world of letters?) the event will be an investigation and celebration of the incredible literary legacy of Moore, its ground-breaking patterns, and the utter relevance of his approaches for the 21st century.

In his lifetime, Moore was honoured by artists and writers – and feared and condemned by a puritanical public for his honesty.  Recognised as importer of French modernism into English literature, as the most significant influence in introducing impressionist paintings to England, as trailblazer for modern autobiography and memoir, Moore also excelled in several other genres: Émile Zola and Guy de Maupassant ‘borrowed’ from Moore’s A Modern Lover (1883);  the structure of his short story collection The Untilled Field was the model for James Joyce’s Dubliners and the conclusion of ‘The Dead’ is reminiscent of Moore’s Vain Fortune (1891). The trail of connections and influences and cultural circles stretches from Mayo to Paris, London and Hollywood (with Glenn Close in Albert Nobbs, the 2012 film of Moore’s atmospheric story).

While Moore faded temporarily from general memory, it was because England viewed him as a little dangerous, too French, too Irish and too Catholic, while bourgeois Ireland also feared him but saw him as insufficiently Irish and Catholic, and Mayo remembered unwelcome disclosures of contemporary unorthodoxy!  More recently, Moore is much appreciated for his pertinence and artistry.  More than a century ago, Moore identified the perils of clerical dominance, embraced the European novel, supported women, sympathetically understood the multiple complexities of human sexuality, and wove visual art and music into the novel. Those paths are the routes frequently now chosen by writers, and such qualities are appreciated by today’s readers. 

In approaching the topic of home, it is timely to remember a wise counsel, that Moore studies should “think through the interlinked intellectual cross-currents between his work and that of his contemporaries both as part of a process of canonical reappraisal and as recognition of the impossibilities of placing the truly individual artist into neat categories or movements.” (Heilman and Lewellyn 2014, 16).

Proposals for short papers are invited from individual speakers and from themed panels. Topics could include, but are not limited to:

  • Paris, Dublin, London: the George Moore Networks
  • George Moore and his Irish female contemporaries: Emily Lawless, Lady Gregory, Hannah Lynch, Elizabeth Bowen, Kate O’Brien
  • Moore’s Literary Inheritances and Legacies
  • George Moore and the New Woman
  • Moore’s intersections and collaborations with writers
  • Moore and Magazines, Periodicals, Victorian and Modernist Print Cultures
  • Reception of George Moore

Extended Deadline

Abstracts (200 words) for papers proposed (20 minutes maximum delivery time) should be accompanied by a short biographical note (100 words), plus full address, institutional affiliation and email. Please send abstracts to Kathryn Laing (kathryn.laing@mic.ul.ie) and Mary Pierse (piersemary@gmail.com) by 30 September 2020.


All This Mine Alone: Lady Gregory and the Irish Literary Revival

Lady Gregory who helped to shape modern Irish literature is coming into view. The Irish Repertory Theater (NYC) has produced “Lady G: Plays and Whisperings of Lady Gregory,” directed by Ciaran O’Reilly. Una Clancy shines in the role, and two of Gregory’s plays, “Workhouse Ward” and “McDonough’s Wife” are part of the production as well as walk-ons of Yeats, Wilfred Blunt, Mary Sheridan. In addition, the New York Public Library that has the Lady Gregory Collection of Papers (notebooks, letters, journals etc.) will exhibit some of this material in an exhibit, “All This Mine Alone: Lady Gregory and the Irish Literary Revival,”  October 1st, 2020 – February 28th, 2021

Exhibition: All This Mine Alone: Lady Gregory and the Irish Literary Revival: https://www.nypl.org/events/exhibitions/lady-gregory

https://www.eventbrite.ie/e/teresa-deevy-and-rte-accessibility-on-the-airwaves-tickets-91592001141

CFP’s:

VISAWUS 2020: Victorian Transitions, CFP by April 20, 2020.

CFP: The School of English, Dublin City University. A symposium on ‘Literature and the Media:  Crossings’

Paper proposals by 10 March 2020.

CFP: 6th EFACIS PhD seminar in Irish Studies

January 30 @ 8:00 am – 5:00 pm

2nd CFP 19 AEDEI CONFERENCE: Silences and Inconvenient Truths in Irish Culture and Society

February 17 @ 8:00 am – 5:00 pm.


EER Edward Everett Root Publishers Co. Ltd

EER Press and the Irish Women’s Writing Network are delighted to announce two new series on Irish women’s writing. Titles will reflect the current wealth of innovative critical, biographical, archival, and historical research on writing by Irish women from 1800 onward, considering both under-examined writers and fresh approaches to more familiar bodies of work. 

Key Irish Women Writers offers critical introductions to key Irish women writers written by expert scholars.  Combining major figures such as Maria Edgeworth, Augusta Gregory and Elizabeth Bowen with lesser-known figures, the series focuses on the long 19th century and the first half of the 20th, and sets out to offer comprehensive accounts of significant individual careers by the foremost critics in the field. Scholarly yet accessible, these studies marry original scholarship and an overview of the often scattered extant critical approaches to an author with considerations of key texts and contexts, biographical outlines and up-to-date bibliographies. 

The first four volumes in Key Irish Women Writers are: Maria Edgeworth by Clíona Ó Gallchoir, Elizabeth Bowen by Heather Ingman, Jane Wilde by Eibhear Walshe, and Kate O’Brien by Aintzane Legarreta Mentxaka. 

Irish Women Writers: Texts and Contexts presents annotated critical editions of forgotten or neglected work by women from the long nineteenth century and early to mid-twentieth century which is out of print, uncollected, unpublished, or unavailable via digital platforms.  

The first volumes to appear are:

Ethel Colburn Mayne: Selected Stories, edited by Elke D’hoker 

Ethel Colburn Mayne (Johnstown 1865 – Torquay 1941) made her debut as a writer with a short story in The Yellow Book in 1895 and would go on to publish novels, story collections, biographies, literary criticism and translations, first from her parents’ home in Cork and, after 1905, from London. Her greatest achievement is within the genre of the short story, where she combines sensitive psychological insight with acute social observation and critique. This collection offers a selection of stories from the six collections Mayne published between 1898 and 1923. The selection showcases various concerns of Mayne’s writing, with a focus on stories that have an Irish setting and/or characters. 

Hannah Lynch’s Girl Rebels: ‘A Girl Revolutionist’ and ‘Marjory Maurice’, edited by Kathryn Laing

Hannah Lynch (Dublin 1859 – Paris 1904) was the author of feminist fiction, travel writing and journalism. Her  short story for girls, ‘A Girl Revolutionist’ (1899) and serialised novella, ‘Marjory Maurice’ (1884-85), were based on her own experiences as an active member of the Ladies’ Land League (1881-1882).  The stories in this volume will be a vital resource for readers and scholars interested in Hannah Lynch, (Irish) New Girl and New Woman fiction, the Ladies’ Land League, literary representations of the land wars, nineteenth century periodical and newspaper culture and history.

Forthcoming titles include:

Rosa Mulholland (1841-1921), Feminist, Victorian, Catholic and Patriot, edited by James H. Murphy

Series editors: 

Sinéad Mooney (De Montfort University) and Kathryn Laing (Mary Immaculate College, UL)

Advisory Board:

Heidi Hansson 

Margaret Kelleher

Gerardine Meaney 

James H. Murphy 

Proposals are invited for both series.

kathryn.laing@mic.ul.ie

drsineadmooney@gmail.com

FemFestMIC 2019

femfest_seminar_2019

We are hosting a seminar in Mary Immaculate College, Limerick on February 8th, 2019 as part of the FemFest on campus. The day long event features readings and keynotes from Martina Devlin, Donna Gilligan and Lizzie Nunnery.

You can download the full seminar programme here..

Follow the hashtag on twitter #FemFestMIC for more details of the events in MIC Limerick.

Conference:

Modernism in the home

The conference is set to be held on Monday 1st and Tuesday 2nd July 2019 at the University of Birmingham in collaboration with the Centre for Modernist Cultures. Studies of modernism and the home are wide-ranging; this international conference will reflect the broad scope of research, fostering interdisciplinary dialogue between literary, arts and cultural sectors. The conference invites scholars to interrogate the historical, theoretical and thematic intersections occurring in the domestic sphere in the early twentieth century. Panellists are invited to reconsider and discuss the aesthetic, social, political, technological, artistic, scientific, cultural and textual relationship between modernism and the home, in a global context.

For the full CFP (Due by Friday Dec 14th) click here.

Call for Papers

Irish Women’s Writing at the Turn of the Twentieth Century: Alternative Histories,
New Narratives
Co-editors: Kathryn Laing and Sinéad Mooney
This will be one of the first publications to inaugurate a new major Irish Studies Series:
EER Publishers Studies in Irish Literature, Cinema and Culture
General Editor: Pilar Villar Argáiz

The aim of this essay collection is to capitalise on new research and innovative scholarship on Irish women’s writing at the fin de siècle and into the early twentieth century. An array of recent conferences and publications have highlighted the riches of this interdisciplinary and international field in which a diverse range of hitherto neglected Irish women writers have been recovered, their lives, works, networks and other contexts illuminated. The aim is to foreground current scholarship that at once develops existing strands of enquiry further and that also introduces new avenues for exploration. As well as ‘acts of recovery’, we also seek new engagements specifically in relation to Irish women’s cultural economies, particularly literary networks, access to literary production and publication, the long nineteenth century and emergent modernist aesthetics.

For full details download the CFP here.

Forthcoming Conferences and CFPs – 2018

Call for papers: Gender, Sexuality, and Citizenship: Day Workshop for Postgraduates and Early Career Scholars at the University of Limerick, 21st February 2018

Professor Jack Halberstam (Columbia University) will deliver a public lecture at the University of Limerick on 21st February, 2018. Professor Halberstam will address issues arising in the research for his current book, Trans* A Quick and Quirky Account of Gender Variability (2018). In conjunction with this event, the University of Limerick Gender ARC will host a day workshop for postgraduate and early career scholars working in the field of Gender & Sexuality studies in / relating to Ireland.

Workshop format

The workshop aims to bring together a community of scholars working at the intersection of gender, sexuality, and citizenship in the fields of Irish studies (including migration and transnational scholarship). Selected postgraduates and early career scholars will be invited to submit a short paper in advance of the workshop, present their research on the day, get responses to their work and, where relevant, teaching practice from senior scholars and peers in the field. The workshop offers scholars an expansive theoretical moment for collaboration and exchange on research topics involving gender and sexuality studies across disciplines and cultures in and/or relating to Ireland. Our panel of respondents include Professor Patricia Coughlan (UCC), Dr Denis Flannery (Leeds), Dr Charlotte McIvor (NUIG), Professor Gerardine Meaney (UCD), Dr Maureen O’Connor (UCC) and Dr Anne Mulhall (UCD), along with faculty members from UL’s Gender ARC.

Call for papers

Postgraduate and early career scholars who wish to apply for a place in the workshop should send an abstract (300 words) outlining your proposed paper (this may derive from an existing thesis chapter or journal article / book chapter in-progress) to the Gender ARC Project Co-Ordinator, Dr Margaret O’Neill: margaret.oneill@ul.ie. Abstracts should be accompanied by a short email (no more than 200 words) explaining how your project will benefit from this workshop; please attach your full name and university affiliation to this. The deadline for applications is 15th January 2018 at 5pm. Successful applicants will be notified quite soon after that date and full papers (2500-3000 words) will fall due on 31st January at 5pm so that we may send material to respondents.

Funding

Thanks to funding support from the Faculty of Arts, Humanities & Social Science Teaching & Learning Board and the National Forum for Teaching & Learning in Higher Education, we can provide travel funding within Ireland for postgraduates / early career scholars whose papers are accepted. Light refreshments will be provided on the day (thanks to funding from the School of Culture & Communication and the School of Education).

Guideline for applications

Application for a place in the workshop is open to all postgraduate and early career scholars. The workshop is multidisciplinary but is aimed at scholars working in the following disciplines:

  • Literary and cultural studies
  • Education
  • Sociology

Research projects with a clear basis in Gender and Sexuality studies relating to Ireland and/or Irish migration/transnational studies will be the focus of our exchanges.Given Halberstam’s ground-breaking work in the field of queer theory, thesis research in or relating to that area will be prioritised during the selection process. For further information, please contact margaret.oneill@ul.ie

*Led by Dr Tina O’Toole (School of Culture and Communication), organisers include Dr Breda Gray (Department of Sociology) Mx Alena Kiel (School of Culture and Communication), Dr Aoife Neary (School of Education), and Dr Margaret O’Neill (Gender ARC).

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Call for Papers for Transitions: Bridging the Victorian-Modernist Divide. The conference is set to be held on 9th and 10th of April 2018 at the University of Birmingham.

https://midlandsmodernistnetwork.wordpress.com/transitions-bridging-the-victorian-modernist-divide/
The CFP closes December 18th 2017. Decisions will be made in early January.

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Women Writing Decadence, 1880-1920

7-8 July 2018
University of Oxford

Please email 300-word abstracts to decadentwomen@gmail.com by 10 January 2018.

https://decadentwomen.wordpress.com

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Female suffrage in British art, literature and history

deadline for submissions: December 20, 2017
University of Toulouse, France
contact email:
catherine.delyfer@univ-tlse2.fr
“Female suffrage in British Art, Literature and History”

A conference organized by Catherine Delyfer and Catherine Puzzo (Univ. Toulouse, CAS, JDG)

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The 2018 Annual Meeting of the American Conference for Irish Studies University

Environments of Irish Studies

College Cork, Ireland
18th – 22nd June 2018

Submit abstracts for consideration by 15th Jan 2018 to acis2018@ucc.ie

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IASIL 2018 – Reimagining Traditions

23-27 July 2018
Radboud University Nijmegen
The Netherlands

Deadline for submission: 31 January 2018.

Conference 2018: Radboud University Nijmegen, 23-27 July

Past Events

The “Irish Women Playwrights and Theatremakers” Conference

8-10 June 2017, Room T.1.01 at Mary Immaculate College, UL

When the Abbey Theatre announced its 1916 centenary “Waking the Nation” programme, Irish theatre fans and practitioners were rightly outraged that only one of the ten plays being produced was written by a woman. The outcry over that gender-imbalanced programme led numerous Irish women to take to social media and vent their justified anger. The “Waking the Feminists” (WTF) initiative was born, and this important grassroots movement has done much to highlight the prejudice regularly endured by women working in Irish theatre.

Taking inspiration from WTF and earlier interventions such as “There Are No Irish Women Playwrights!”, scholars based at Limerick’s Mary Immaculate College have decided to mount a conference on 8-10 June 2017 which will highlight the vital, frequently overlooked contributions that women have made to Irish theatrical life from the eighteenth century to the present. The plenary speakers include Co. Clare playwright Ursula Rani Sarma, as well as three highly-regarded academics who have worked in this field for many years: Dr. Cathy Leeney (UCD), Dr. Melissa Sihra (TCD), and Dr. Maria Kurdi (University of Pécs).

The topics that the plenaries and panel speakers have proposed to cover include important Irish playwrights (e.g., Davys, Griffith, Sheridan, Edgeworth, Balfour, Milligan, Gregory, Gore-Booth, Deevy, Manning, ní Ghráda, Reid, Devlin, Carr, Conroy, and numerous others), as well leading directors, scenographers, and contemporary devisers. Irish-language Drama, Theatre for Young Audiences, and the intersection between feminist politics and Irish theatre will also be probed.

In addition to the keynotes and papers, the conference will include rehearsed readings of plays by two Irish women playwrights: one historical (Teresa Deevy) and one contemporary (Dramatist TBC). There will also be a roundtable discussion involving women theatremakers from across the island; this will highlight the challenges facing (and the exciting developments involving) women working in Irish theatre today.

To register for this conference, please email Dr. David Clare (david.clare@mic.ul.ie). For additional information regarding the conference, please write to Aideen Wylde (aideen.wylde@mic.ul.ie), Dr. Fiona McDonagh (fiona.mcdonagh@mic.ul.ie), or Dr. Clare. The full conference fee is €40 (€20 for students and the unwaged).

Irish Women Playwrights and Theatremakers PROVISIONAL SCHEDULE

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Who are the Missing Women on Wikipedia?

At NUI Galway, and supported by the Wikimedia Community Ireland, an editathon is taking place during the week of International Women’s Day, in March 2017. The aim is to add overlooked women and women’s work to Wikipedia.

For more details on this excellent project click here:

https://en.wikipedia.org/wiki/Wikipedia:Meetup/Ireland_wikiwomenIE_2017

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WHAI Annual Conference: Gender and Class in Ireland, 21-22 April 2017, National University of Ireland, Galway

https://womenshistoryassociation.com/events/whai-annual-conference-2017/

SSNCI conference – Irish College, Leuven, Belgium, 29-30 June

Figures of Authority in 19th-Century Ireland

Website: https://ssnci2017.wordpress.com/

From the 4th to the 6th of May 2017, the KU Leuven department of Literary Studies, research group MDRN and the Leuven Centre for Irish Studies will host the third annual conference of the European Network for Short Fiction Research (ENSFR). 

Short Fiction: Co-texts and Contexts – Le Récit Bref: Co-textes et Contexts.

https://ensfrleuven2017.wordpress.com

Women on Ireland Research Network Annual Conference: Women and Irishness
Waterford Institute of Technology
1st & 2nd of June 2017

http://www.womenandirishness.com

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CFPs

Women’s History in the Digital World will be held July 6-7, 2017 at Maynooth University (Ireland). Call for papers is open.

Submissions by Tuesday, 28 February, 2017

Call for Papers

XVI International Conference of the Spanish Association for Irish Studies (AEDEI)

“Fe/male Challenges in Irish Studies from the 19th to the 21st Centuries”

University of La Rioja (Spain), 25-27 May, 2017

Deadline: 28 February 2017

http://www.unirioja.es/aedei2017/

IASIL2017 NTU-Singapore 24-28 July, 2017

Ireland’s Writers in the 21st Century

Deadline: March 15th

http://www.hss.ntu.edu.sg/programmes/english/IASIL2017/home.html

Single Lives: 200 Years of Independent Women in Literature and Popular Culture (University College Dublin, Oct-2017)

Deadline: April 1st

https://networks.h-net.org/node/73374/announcements/166689/single-lives-200-years-independent-women-literature-and-popular

CONVENTION AND REVOLUTION
Life writing by women in the 1800s and 1900s: archives, critiques and methods
29 November -1 December 2017 Warsaw, Poland

Deadline: April 30th

http://www.the-cwwa.org/wp-content/uploads/2017/02/CONVENTION-AND-REVOLUTION-call-for-papers.pdf

George Egerton and the fin de siècle

A two-day conference organised by the Cultural Currents (1870-1930) Research Group at Loughborough University, 7-8 April, 2017

https://georgeegertonconference.wordpress.com

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Recent Publications

E. Œ. Somerville and Martin Ross: Female Authorship and Literary Collaboration
Anne Jamison

http://www.corkuniversitypress.com/Somerville-and-Ross-p/9781782051923.htm

Irish women’s writing, 1878–1922: Advancing the cause of liberty

Edited by Anna Pilz and Whitney Standlee

Irish women writers entered the British and international publishing scene in unprecedented numbers in the period between 1878 and 1922. This collection of new essays by leading scholars explores how women writers including Emily Lawless, L. T. Meade, Katharine Tynan, Lady Gregory, Rosa Mulholland, Ella Young and Beatrice Grimshaw used their work to advance their own private and public political concerns through astute manoeuvrings both in the expanding publishing industry and against the partisan expectations of an ever-growing readership.

For more information click here.

Women Writing War

Edited by Tina O’Toole, Gillian McIntosh and Muireann O’Cinnéide

https://ahssresearch.wordpress.com/2017/01/10/book-launch-of-women-writing-war-ireland-1880-1922/

http://www.irishtimes.com/culture/books/no-longer-forgotten-women-activists-from-the-decade-of-centenaries-1.2889074

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Calls for Contributors

Victorian Popular Fiction Association

Call for Contributors: Fashion and Material Culture in Victorian Fiction and Periodicals

Fashion and Material Culture in Victorian Fiction and Periodicals
Edited Collection: Call for Contributors
Abstracts Due: 31st July 2016
Click here for more.

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www.genderarc.org

Gender ARC (Advanced Research Consortium on Gender, Culture and the Knowledge Society) is a research network linking more than fifty academics at the National University of Ireland, Galway and the University of Limerick who are engaged in gender-focused research across diverse disciplines including: Business, Economics, Education, Film Studies, Gender and Women’s Studies, Geography, History, Health Sciences, Irish Studies, Languages, Law, Literature, Nursing and Midwifery, Politics and Sociology.

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Revolutionary Genders
Sibéal Feminist and Gender Studies Network Annual Conference

November 18 & 19 NUI Galway

For more www.sibeal.ie or click here.

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Key Popular Women Writers

This innovative new series will deliver original and transformative feminist research into the work of leading women writers who were widely read in their time, but who have been under-represented in the canon.

For more click here.

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