Secondary Works

            Articles, Chapters & Monographs

ABBOTT, S. J., The Ruin of Girls in Convent Schools: Testimony of Roman Catholics and Grief-Stricken Parents (London: Convent Enquiry Society, 1903).

ALLEN, NICHOLAS, ‘Thurston, Katherine Cecil 1875-1911’, in James McGuire and James Quinn (eds), Dictionary of Irish Biography, vol. 9 (Cambridge: Cambridge University Press, 2009), pp. 364-5.

ALTICK, RICHARD, The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 (Chicago: Chicago University Press, 1957).

AMADOR-MORENTO, CAROLINA P., ‘Female Voices in the Context of Irish Emigration: A Linguistic Analysis of Gender Differences in Private Correspondence’, Irish Journal of Applied Social Studies, vol. 16, no. 1 (2016), pp. 77-95. Available at: http://arrow.dit.ie/ijass/vol16/iss1/5

ANNAT, A. L.S., (2010), ‘Class, Nation, Gender and Self’ in Fintan Lane ed., Politics, Society And The Middle Class in Modern Ireland, London: Palgrave Macmillan 194-211

ARDIS, ANN L., New Women, New Novels:  Feminism and Early Modernism (New Brunswick and London:  Rutgers University Press, 1990).

ARDIS, ANN L. and LESLIE W. LEWIS, Women’s Experience of Modernity, 1875-1945 (Baltimore: Johns Hopkins University Press, 2003).

ARDIS, ANN L.  and PATRICK COLLIER (eds), Transatlantic Print Culture, 1880-1940: Emerging Media, Emerging Modernisms (Palgrave, 2009).

AYRES, B. (ed.), Silent Voices: Forgotten Novels by Victorian Women Writers (Westport, Connecticut: Praeger, 2003).

BACKUS, MARGOT GAYLE, ‘“The Children of the Nation?”: Representations of Poor Children in Mainstream Nationalist Journalism, 1882 and 1913’, Éire-Ireland, vol. 44, no. 1-2 (2009), pp. 118-146.

BAGGS, CHRIS, ‘“In the Separate Reading Room for Ladies are Provided Those Publications Specially Interesting to Them”: Ladies’ Reading Rooms and British Public Libraries 1850-1914’, Victorian Periodicals Review vol. 38, no. 3 (2005), pp. 280-306.

BARRY, CAROLINE, ‘Cecilia Grierson: Argentina’s First Female Doctor’, Irish Migration Studies in Latin America, vol. 6, no. 3 (2008), pp. 213-218. Available at: http://www.irlandeses.org/0811barry1.htm

BASHAM, DIANA, ‘Through the Looking Glass: Madame Blavatsky and the Occult Mother’, in The Trial of Woman: Feminism and the Occult Sciences in Victorian Literature and Society (London, Basingstoke: Macmillan, 1992), pp. 178-214.

BASSETT, TROY J., ‘The Production of Three-vollume Novels in Britain, 1863-97’, PBSA, 102:1 (2008), pp. 61-75.

Baudino, I., (2019), ‘Nothing seems to have escaped her’: British Women Travellers as Art Critics and Connoisseurs (1775–1825)’, 19:Interdisciplinary Studies in the Long Nineteenth Century,  (June 2019) vol. 28,  http://doi.org/10.16995/ntn.820 (accessed 10 June 2019).

BEAUMONT, MATTHEW, ‘Socialism and Occultism at the Fin de Siècle: Elective Affinities’, Victorian Review, 36:1 (2010), 217- 32.

BECKETT, J.C., ‘The Irish Writer and his Public in the Nineteenth Century’, Yearbook of English Studies 11 (1981), pp. 102-116.

BEETHAM, MARGARET (2015), ‘Time: Periodicals and the Time of the Now’ in Victorian Periodicals Review, vol. 48, no. 3, 323-342.

BEER, GILLIAN (2019), George Eliot and the Woman Question, Brighton: Edward, Everett Root.

BEINER, GUY, Remembering the Year of the French: Irish Folk History and Social Memory (Madison, WI: The University of Wisconsin Press, 2007).

BELANGER, JACQUELINE (ed.), The Irish Novel in the Nineteenth Century: Facts and Fictions (Dublin: Four Courts Press, 2005).

BELLAIGUE, CHRISTINE DE, ‘“Only What is Pure and Exquisite”: Girls’ Reading at School in France, 1800–70’, French History, 27:2 (2013), 202-22.

BELLER, ANNE-MARIE (2017), “The Fashions of the Current Season”: Recent Critical Work on Victorian Sensation Fiction’ in Victorian Literature and Culture, vol.45, no. 2, 461-473.

BHEACHÁIN, CAOILFHIONN NÍ; Mitchell, Angus (2020), ‘Alice Stopford Green and Vernon Lee: Salon Culture and Intellectual Exchange’ in Journal of Victorian Culture, vol. 25, no. 1, 77–94 (Network Team).

BHEACHÁIN, CAOILFHIONN NÍ; Mitchell, Angus (2018) ‘Conscience as Compass: Creative Encounters between Ireland and Latin America’ in Irish Migration Studies in Latin America, vol. 9, no.  1, 1-10 (Network Team)

BIELENBERY, ANDY (2014), Ireland and the industrial revolution: the impact of the industrial revolution on Irish Industry, 1801-1922, London: Routledge

BILETZ, FRANK A., ‘Women and Irish-Ireland: The Domestic Nationalism of Mary Butler,’ New Hibernia Review, 6:1 (2002), 59-72.

BINCKES, FAITH and LAING, KATHRYN (2019), Hannah Lynch (1859-1904): Irish Writer, Cosmopolitan, New Woman, Cork: Cork University Press (Network Team).

—, ‘Irish Autobiographical Fiction: Hannah Lynch’s Autobiography of a Child’, English Literature in Transition, vol. 55, no. 2 (2012), pp. 195-218.

_______, ‘An Irishwoman in Belle Epoque Paris: literary networks, cultural debate and the writing of Hannah Lynch’, Études Irlandaises, vol. 36, no. 2 (2011), pp. 157-171.

_______,  ‘From “Wild Irish Girl” to “Parisianised Foreigner”: Hannah Lynch and France’ in War of the Words: Literary Rebellion in France and Ireland’, Publication du CRBC Rennes-2, TIR (2010), pp.  41-58.

_______, ‘“Rival attractions of the season”: Land War Fiction, Christmas Annuals, and the Early Writing of Hannah Lynch’ in Heidi Hansson and James H. Murphy (eds), Fictions of the Land War (Bern: Peter Lang, 2014).

_______, ‘A Vagabond’s Scrutiny: Hannah Lynch in Europe’ in Elke d’Hoker, Raphaël Ingelbien and Hedwig Schwall (eds.), Irish Women Writers: Irish and European Contexts (Bern: Peter Lang, 2010), pp. 111-132.

BINCKES, FAITH and SNYDER, CAREY (2019), eds. Women, Periodicals and Print Culture in Britain, 1890’s-1920’s: The Modernist Period, Edinburgh, Edinburgh University Press.

BITTEL, HELEN, ‘Required Reading for “Revolting Daughters”?:  The New Girl Fiction of L. T. Meade’, Nineteenth Century Gender Studies, vol. 2, no. 2 (Summer 2006), pp. 1-24.

BIXBY, PATRICK and CASTLE, GREGORY, eds., (2019), A History of Irish Modernism  Cambridge:Cambridge University Press.

BLAIR, KIRSTIE (2014), “Let the Nightingales Alone”: Correspondence Columns, the Scottish Press, and the Making of the Working-Class Poet in Victorian Periodicals Review, vol. 47, no. 2, 188-207.

BLEILER, E. F., ‘Introduction’, in The Collected Ghost Stories of Mrs J. H. Riddell (New York: Dover Press, 1977), pp. v-xxii.

BLISTON, SARAH, The Awkward Age in Women’s Popular Fiction, 1850-1900: Girls and the Transition to Womanhood (Oxford: Clarendon Press, 2004).

BLOMMAERT, JAN, The Sociolinguistics of Globalization (Cambridge: Cambridge University Press, 2010).

BLUNDELL, MARGARET, An Irish Novelist’s Own Story (Dublin:  Catholic Truth Society, n.y.).

_____, ‘M. E. Francis’, The Catholic World, vol. 134, no. 804 (March 1932), pp. 684-691.

BOOTH, ALISON (1998), ‘Anna Jameson: Victorian, Feminist, Woman of Letters’ in Victorian Studies Literature Online (Spring 1998). vol. 41, no.3, pp 497-499.

BOWMAN, TIMOTHER, The Irish Regiments in the Great War: Discipline and Morale (Manchester: Manchester University Press, 2003).

BRADY, DEIRDRE, ‘The Road to Cuzco: An Irish woman writer’s journey to the ‘navel of the world’, Irish Migration Studies in Latin America, Special Issue, eds. Caoilfhionn Ní Bheachaín and Angus Mitchell, ‘Conscience as Compass: Creative Encounters Between Ireland and Latin America’, vol. 9, no. 1 (2018), pp. 11-24.

―, (2017), ‘“Writers and the International Spirit”: Irish PEN in the Post-war Years’ in New Hibernia Review, vol. 21, no. 3, 116-130, (Network member).

BRAKE, LAUREL (2015),’Looking Back’ in Victorian Periodicals Review, vol. 48, no.3, 312-322.

―, (2012), ‘The Longevity of Ephemera: Library Editions of Victorian Newspapers and Periodicals’, Special Issue: Ephemera in Media History, vol. 18, no. 1, pp 7-20

―, (2012), ‘Half Empty and Half Full – Nineteenth Century Newspapers in the Digital Age’ in ‘Digital Forum’, in Journal of Victorian Culture, vol.17, no.2, 222-29

―, 2015, ‘Nineteenth-Century Newspaper Press Directories: The National Gallery of the British Press’ in Victorian Periodicals Review, vol. 48, no. 4, 569-590.

—,  (2001)Print in Transition, 1850-1910:  Studies in Media and Book History Gordonsville, Virginia:  Palgrave Macmillan.

BREWSTER, SCOTT, et al. (eds), Ireland in Proximity: History, Gender, Space (London: Routledge, 1999).

BRODERICK, MARIAN, Wild Irish Women:  Extraordinary Lives (Dublin:  The O’Brien Press, 2002).

BROOKS, ANN (2019) Women, politics and the public sphere, Bristol: Policy Press.

BUCKLEY, SARAH-ANNE, BARR, REBECCA ANNE, KELLY, LAURA, (2015) eds., Engendering Ireland: new reflections on modern history and literature, Newcastle upon Tyne, UK: Cambridge Scholars.

BURKE, JOANNA, Husbandry to Housewifery: Women, Economic Change and Housework in Ireland, 1890-1914 (Oxford: Oxford University Press, 1993).

BYRNE, A. (2018), ‘Autobiography, Chocolate Creams and Letterpress Printing’ in Virginia Woolf Bulletin, vol. 57, no. 1, 24-31, (Network member).

— (2015), ‘A Passion for Books:The Early Letters of Nancy Nolan to Leonard Woolf (1943-1944)’ in Virginia Woolf Miscellany, no.86, 32-34.  (Network member).

CADOGAN, MARY and PATRICIA CRAIG, You’re a Brick, Angela:  A New Look at Girls’ Fiction from 1839 to 1975 (London:  Victor Gollancz, 1976).

CAHALAN, JAMES M., ‘Forging a Tradition:  Emily Lawless and the Irish Literary Canon’— in KIRKPATRICK (ed.) Border Crossings, pp. 38-57.

CAHILL, SUSAN, ‘Making Spaces for the Irish Girl: Rosa Mulholland and Irish Girls in Fiction at the Turn of the Century’, in K. Moruzi and M. Smith (eds.), Colonial Girlhood in Literature, Culture and History, 1840-1950 (New York: Palgrave Macmillan, 2014), pp. 167-179.

CARDOZO, NANCY, Lucky Eyes and a High Heart: The Life of Maud Gonne (New York: The Bobbs-Merrill Company, 1978).

CHRISMAN, LAURA, ‘Empire, “Race”, and Feminism at the Fin de Siècle:  The Work of George Egerton and Olive Schreiner’ in LEDGER and MCCRACKEN (eds), Cultural Politics at the Fin de Siècle, pp. 45-65.

CIVALE, SUSAN (2019), Romantic Women’s Life Writing, Manchester:  Manchester University Press

Clare, David, Lally, Des and Lonergan, Patrick (2018), eds., The Gate Theatre, Dublin: Inspiration and Craft, Oxford: Carysfort Press; Peter Lang.

Clare, David (2016), Bernard Shaw’s Irish Outlook, United Kingdom: Palgrave Macmillan, (Network member).

Clarke, Anna (2005) ‘Wild Workhouse Girls and the Liberal Imperial State in Mid-Nineteenth Century Ireland’ in Journal of Social History, vol. 39, no. 2, 389-409.

CLARK, JONATHAN, ‘The Many Restorations of King James: A Short History of Scholarship on Jacobitism, 1688-2006’, in Paul Monod, Murray Pittock and Daniel Szechi (eds), Loyalty and Identity: Jacobites at Home and Abroad (London: Palgrave, 2010), pp. 9-56.

CLAY, CATHERINE, GREEN, BARBARA, HACKNEY, FIONA and DiCENZO, MARIA, eds., (2018), Women’s periodicals and print culture in Britain, 1918-1939:the interwar period, Edinburgh: Edinburgh University Press.

CLEAR, CATRIONA, Social Change and Everyday Life in Ireland 1850-1922 (Manchester: Manchester University Press, 2007).

COLBERT, B. (2017), ‘British Women’s Travel Writing, 1780-1840: Bibliographical Reflections’, in Women’s Writing, vol 24, no.2, 151-169.

COLELLA, SILVANA, Charlotte Riddell’s City Novels and Victorian Business: Narrating Capitalism (New York: Routledge, 2016).

COLLINS, LUCY (2020), ‘Hidden Collections: The Value of Irish Literary Archives’, in Irish University Review, vol. 50, no. 1, 187-197.(Network member).

―, (2015), Contemporary Irish Women Poets: Memory and Estrangement Liverpool: Liverpool University Press.

―, (2012), Poetry by Women in Ireland 1870–1970, Liverpool: Liverpool University Press.

COLMAN, ANNE, Dictionary of Nineteenth-Century Irish Women Poets (Galway: Kenny’s Bookshop, 1996).

COLUM, MARY, Life and the Dream (London: Macmillan, 1947).

COLUM, PADRAIC, Ella Young, An Appreciation (London: Longmans & Co., 1931).

_____, and MARY, Our Friend James Joyce (London: Gollancz, 1959).

CONGÁIL, RÍONA NIC, ‘“Fiction, Amusement, Instruction”: The Irish Fireside Club and the Educational Ideology of the Gaelic League’, Éire-Ireland, vol. 44, no. 1-2 (2009), pp. 91-117.

_____, ‘“Some of you will curse her”: Women’s Writing during the Irish-Language Revival’, Proceedings of the Harvard Celtic Colloquium 29 (2009), 199-222.

CONNOLLY, LINDA, The Irish Women’s Movement: From Revolution to Devolution (Dublin: Lilliput, 2003).

CORPORRAL, MARGUERITE and MORIN, CHRISTINA (2017), eds., Travelling Irishness in the Long Nineteenth Century, Switzerland: Palgrave Macmillan

CORPORRAL, MARGUERITE , CUSACK, CHRISTOPHER and VAN DEN BEUKEN, RUDD (2017) eds., Irish Studies and the Dynamics of Memory: Transitions and Transformations, Bern: Peter Lang.

CODELL, JULIE F. and BRAKE, LAUREL  eds., (2005), Encounters in the Victorian Press: Editors, Authors, Readers, Basingstoke: Palgrave MacMillan

COPELAND, CAROLINE, ‘An Oasis in the Desert:  The Transatlantic Publishing Success of Katherine Cecil Thurston’, Edinburgh Bibliographical Society, vol. 1, no. 2 (2007), pp. 23-41.

_____, ‘The Sensational Katherine Cecil Thurston: An Investigation into the Life and Publishing History of a “New Woman” Author’ (PhD, Edinburgh Napier University, 2007).

CORKERY, DANIEL, The Hidden Ireland: A Study of Gaelic Munster in the Eighteenth Century (Dublin: M. H. Gill and Son, 1956).

CORPORAL, MARGUÉRITE and CHRISTINA MORIN, Traveling Irishness in the Long Nineteenth Century (London: Palgrave Macmillan, 2017).

CORPORRAL, MARGUÉRITE (2017), Relocated Memories of the Great Famine in Irish and Diaspora Fiction, 1847-1870, Syracuse New York: Syracuse University Press (Network member).

CORPORRAL, MARGUÉRITE, CUSACK, CHRISTOPHER and VAN DEN BEUKEN, RUDD (2017) eds., Irish Studies and the Dynamics of Memory: Transitions and Transformations, Bern: Peter Lang.

COSTELLO, PETER, The Heart Grown Brutal:  The Irish Revolution in Literature, from Parnell to the Death of Yeats, 1891-1939 (Dublin:  Gill and Macmillan, 1977).

COUGHLAN, PATRICIA AND TINA O’TOOLE (eds), Irish Literature: Feminist Perspectives (Dublin: Carysfort Press, 2008).

CROSSLEY, A.C., The Eton College Hunt: A Short History of Beagling at Eton (Eton College: Spottiswoode, Ballantyne, 1922).

CROUCH, MARCYS, The Nesbit Tradition: The Children’s Novel 1945-1970 (London: Ernest Benn, 1972).

CROZIER-De ROSA, Sharon (2018), Shame and the Anti-Feminist Backlash: Britain, Ireland and Australia, 1890-1920, New York and London: Routledge, (Network member)

CROZIER-De ROSA, Sharon and Mackie, Vera (2019), Remembering Women’s Activism, Oxford: Routledge.

CULLEN OWENS, ROSEMARY, A Social History of Women in Ireland, 1870-1970 (Dublin: Gill & Macmillan, 2005).

CULLINGFORD, ELIZABETH BUTLER, ‘At the Feet of the Goddess: Yeats’s Love Poetry and the Feminist Occult’, in Deirdre Toomey (ed.), Yeats and Women: Yeats Annual No. 8 (London: Macmillan, 1992), 31-59.

_____, Ireland’s Others:  Ethnicity and Gender in Irish Literature and Popular Culture (Cork:  Cork University Press, 2001).

_____, ‘”Our Nuns Are Not a Nation”:  Politicizing the Convent in Irish Literature and Film’, Éire-Ireland, vol. 41, no. 1 (2006), pp. 9-39.

DABBY, BENJAMIN (2017),Women as public moralists in Britain from the bluestockings to Virginia Woolf  Woodbridge, Suffolk: Royal Historical Society.

D’HOKER, ELKE, Irish Women Writers and the Modern Short Story (Palgrave Macmillan, 2016).

D’HOKER, ELKE, RAPHAËL INGELBIEN and HEDWIG SCHWALL (eds), Irish Women Writers: New Critical Perspectives (Oxford: Peter Lang, 2011)

DALE, EMMA, ‘Irish Stories are Quite Gone Out’, in Charlotte Riddell, A Struggle for Fame (Dublin: Tramp Press, 2014), pp. v-viii.

DAMKJAER, MARIA, (2016), Time, Domesticity and Print Culture in Nineteenth-Century Britain, Basingstoke: Palgrave MacMillan.

DAVITT, MICHAEL, Jottings in Solitary, edited by Carla King (Dublin: University College Dublin Press, 2003).

DAWSON, JANIS, ‘“Not for girls alone, but for anyone who can relish really good literature”: L.T. Meade, Atalanta, and the Family Literary Magazine’, Victorian Periodicals Review, vol. 46, no. 4 (2013), pp. 475-498.

_____, ‘Rivaling Conan Doyle: L.T. Meade’s Medical Mysteries, New Woman Criminals, and Literary Celebrity at the Victorian Fin de Siècle’, English Literature in Transition, vol. 58, no. 1 (2015), pp. 54-72.

_____, ‘“Write a Little Bit Every Day”: L.T. Meade, Self-Representation, and the Professional Woman Writer’, Victorian Review, vol. 35, no. 1 (2009), pp. 132-152.

DELAFIELD, CATHERINE (2015), Serialisation and the novel in mid-Victorian magazines, Farnham: Ashgate.

DELANY, PAUL, Literature, Money, and the Market: From Trollope to Amis (Basingstoke: Palgrave, 2002).

DEMOOR, MARYSA, Their Fair Share: Women, Power and Criticism in the Athenaeum, From Millicent Garrett Fawcett to Katherine Mansfield, 1870-1920 (Aldershot: Ashgate, 2000).

DE VERE WHITE, TERENCE A Leaf from the Yellow Book: The Correspondence of George Egerton (London:  The Richards Press, 1958).

_____, ‘A Strange Lady’, Irish Times (26 February 1983), p. 12.

DiBattista, Maria and Nord, Deborah Epstein, eds., ( 2019), At Home in the World: Women Writers and Public Life, from Austen to the Present, Princeton, N.J.: Princeton University Press.

DICKSON, DAVID, Dublin: The Making of a Capital City (London: Profile, 2014).

DIXON, JOY, Divine Feminism: Theosophy and Feminism in England (Baltimore: Johns Hopkins University Press, 2001).

DOAK, NAOMI, ‘Assessing an Absence: Ulster Protestant Women Authors, 1900-1960’, in Mervyn Busteed, Frank Neal and Jonathan Tonge (eds), Irish Protestant Identities (Manchester: Manchester University Press, 2008), pp. 126-37.

DOWNEY, DARA (2016), Landscapes of Liminality: Between Space and Place, London: Rowman and Littlefield, (Network member).

―, (2014) American Women’s Ghost Stories in the Gilded Age, Basingstoke: Palgrave Macmillan.

DUFFY, PATRICK, ‘Literary Reflections on Irish Migration in the Nineteenth and Twentieth Centuries’ — in KING et al (eds), Writing Across Worlds, pp. 20-38.

EAGLETON, TERRY, Heathcliff and the Great Hunger (New York: Verso, 1995).

EASLEY, ALEXIS, (2016), First-Person Anonymous: Women Writers and Victorian Print Media, 1830–1870, Oxon, New York: Routledge.

—,Chance Encounters, Rediscovery, and Loss: Researching Victorian Women Journalists in the Digital Age in Victorian Periodicals Review, vol. 49, no. 4, 694-717.

—,Literary Celebrity, Gender, and Victorian Authorship, 1850-1914, Newark: University of Delaware Press.

―, (2011), ‘Introduction to the Special Issue: Victorian Networks and the Periodical Press’ in Victorian Periodicals Review, vol. 44, no. 2, 111-114.

EASLEY, ALEXIS, GILL, CLARE, ROGERS, BETH (2019), eds., Women, Periodicals and Print Culture in Britain 1830’s-1900’s: The Victorian Period, Edinburgh, Edinburgh University Press.

EASLEY, ALEXIS, KING, ANDREW and MORTON, JOHN (2018), Researching the Nineteenth-Century Periodical Press, Case Studies, London and New York: Routledge.

EDWARDS, HEATHER, ‘The Irish New Woman and Emily Lawless’s Grania: The Story of an Island: A Congenial Geography,’ ELT, vol. 51, no. 4 (2008), pp. 421-38.

EHNENN, JILL, Women’s Literary Collaboration, Queerness, and Late-Victorian Culture (Aldershot: Ashgate, 2008).

ELLIOTT, MARIANNE, Robert Emmet: The Making of a Legend (London: Profile, 2003).

ELLIS, S.M., ‘Mrs. J. H. Riddell: The Novelist of the City and of Middlesex’, in Wilkie Collins, Le Fanu and Others (London: Constable, 1931), pp. 266-335.

ELLMANN, RICHARD, Yeats: The Man and the Masks (London: Faber and Faber, 1969).

ENGLISH, RICHARD, Ernie O’Malley: IRA Intellectual (Oxford: Clarendon Press, 1998).

_____, ‘Green on Red: Two Case Studies in Early Twentieth-Century Irish Republican Thought’, in D. George Boyce, Robert Eccleshall, and Vincent Geohagen (eds), Political Thought in Ireland since the Seventeenth Century (London, New York: Routledge, 1993), pp. 161-89.

EPPLÉ, COLETTE EILEEN, ‘Katharine Tynan’s Literature for Children and the Construction of Irish Identity’ (PhD, Catholic University of America, Washington, 2010).

FALLON, ANN CONNERTON, Katharine Tynan (Boston: Twayne Publishers, 1979).

FAWCETT, MILLICENT GARRETT, L. L. D., Women’s Suffrage:  A Short History of a Great Movement (New York:  Dodge Publishing, 1911).

FAY, W. G. AND CATHERINE CARSWELL, The Fays of the Abbey Theatre: An Autobiographical Record (New York: Harcourt, Brace and Co., 1935).

FELDMAN, JESSICA R., Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience (Cambridge: Cambridge University Press, 2002).

FINKELSTEIN, DAVID (2019), The Edinburgh History of the British and Irish Press, Volume 2, Expansion and Evolution, 1800-1900, Edinburgh: Edinburgh University Press.

FINKELSTEIN, DAVID and McCleery, Alistair, eds., (2006), The Book History Reader, London: Routledge.

FISCHER, JOACHIM, (2017), ‘On the Specificity of Irish Travel Writing in the Nineteenth Century: Maria Frances Dickson’s Journey’s to the Continent and Kilkee’ in Marguérite Corporaal and Christina Morin, eds., Travelling Irishness in the Long Nineteenth Century, Switzerland: Palgrave Macmillan.

FISCHER, JOACHIM, ‘Maria Frances Dickson (1809-85) – A forgotten Limerick writer of the nineteenth century’, North Munster Antiquarian Journal, vol. 57 (2017), pp. 85-90.

FITZPATRICK, DAVID, Irish Emigration 1801-1921 (Dublin: The Economic and Social History of Ireland, 1985).

FLETCHER, ANTHONY, ‘Cesca: A Young Nationalist in the Easter Rising’, History Today, vol. 56, no. 4 (2006), pp. 30-8.

FLETCHER, IAN, W.B. Yeats and his Contemporaries (Brighton: The Harvester Press, 1987).

FLYNN, DEIRDRE, (2019), ‘‘Come up to a place like this?’ The Problem with Seeking Sanctuary in the Rural in Mary Lavin’s Short Stories’ in Irish University Review, vol. 49. no. 2, 218–228 (Network team).

FOLEY, RONAN., and MURPHY, RACHEL (2015) ‘Visualizing a Spatial Archive: GIS, Digital Humanities, and Relational Space’ in Breac A Digital Journal of Irish Studies, available at http://mural.maynoothuniversity.ie/7067/1/RF-Visualizing-Spatial-Archive.pdf

FOSTER, JOHN WILSON, Irish Novels 1890-1940: New Bearings in Culture and Fiction (Oxford: Oxford University Press, 2008).

_____, Fictions of the Irish Literary Revival: A Changeling Art (Syracuse: Syracuse University Press, 1987).

FOSTER, JOHN WILSON (ed.), The Cambridge Companion to the Irish Novel (Cambridge: Cambridge University Press, 2006).

FOSTER, R. F., Modern Ireland: 1600 -1972 (London: Penguin Books, 1989).

_____, Vivid Faces: The Revolutionary Generation in Ireland 1890-1923 (London: Allen Lance, 2014).

______, W. B. Yeats: A Life: Vol. 1 Apprentice Mage (Oxford: Oxford University Press, 1997).

_____, and Fintan Cullen, Conquering England: The Irish in Victorian London (London: National Portrait Gallery, 2005).

FOSTER, SHIRLEY and JUDY SIMONS, What Katy Read: Feminist Re-Readings of “Classic” Stories for Girls (London: Palgrave Macmillan, 1995).

FRANCIKOVA, DASA (2000) ‘Female Friends in Nineteenth-Century Bohemia: Troubles with Affectionate Writing and “Patriotic Relationships”’ in Journal of Women’s History, vol. 12, no. 3, 23-28.

FRASER, HILARY, (2016), Women writing art history in the nineteenth century: looking like a woman, Cambridge: Cambridge University Press.

239. M. S. [GERTRUDE SWEETMAN], ‘M. E. Francis’, The Irish Monthly, vol. 8, no. 683 (May 1930), pp. 229-239.

GALAZZI, MARIANO, ‘“Thousands of miles through untrodden lands”: The Life and Writings of Marion Mulhall’, Irish Migration Studies in Latin America, vol. 8, no. 4 (2015), pp. 39-56. Available at: http://www.irlandeses.org/wp-content/uploads/2012/10/2015-issue-Travel-Writing.pdf

GARDINER, DAVID (ed.), The Maunsel Poets, 1905-1926 (Bethesda: Academica Press, 2003).

GARDNER, SUSAM M., ‘For Love and Money: Beatrice Grimshaw’s Passage to Papua’ (PhD, Rhodes University, 1986).

_____, ‘A “’vert (i.e. Convert) to Australianism”: Beatrice Grimshaw and the Bicentenary’, © Hecate Press (30 November 1987). http://webcache.googleusercontent.com/search?q=cache:WuG4AvRjfvcJ:www.grimshaworigin.org/BeatriceGwHecate.htm+&cd=1&hl=en&ct=clnk&gl=ie. Accessed 9 March 2013.

GARNER, LES, Stepping Stones to Women’s Liberty: Feminist Ideas in the Women’s Suffrage Movement 1900-1918 (Cranbury, New Jersey: Associated University Presses, 1984).

GARRIOCK, JEAN BARBARA, ‘Late Victorian and Edwardian Images of Women and Their Education in the Popular Press with Particular Reference to the Work of L. T. Meade’ (University of Liverpool:  Ph.D. Thesis, 1997).

GETTMAN, R. A., A Victorian Publisher: A Study of the Bentley Papers (Cambridge: Cambridge University Press, 1960).

GIDLOW, ELSA, Elsa: I Come With My Songs. The Autobiography of Elsa Gidlow (San Francisco: Bootlegger Press & Druid Heights Books, 1986).

GILBERT, R. A., The Golden Dawn Companion: A Guide to the History, Structure, and Workings of the Hermetic Order of the Golden Dawn (Wellingborough: Aquarian, 1986).

GILBERT, SANDRA M. and SUSAN GUBAR, No Man’s Land:  The Place of the Woman Writer in the Twentieth Century, Volume 1:  The War of the Words (New Haven: Yale University Press, 1988).

Glascott, B. (2015), Revising Letters and Reclaiming Space: The Case for Expanding the Search for Nineteenth-Century Women’s Letter-Writing Rhetoric into Imaginative Literature in College English, vol.78, no. 2, 162-182.

GODBEY,  MARGARET  J.  (2019), ‘The New Girl Turns Twenty-Five’ in Victorian Periodicals Review, vol. 52, no. 4, pp. 786-805

GONZALEZ, ALEXANDER G., Irish Women Writers: An A-to-Z Guide (Westport, Conn.: Greenwood Press, 2005).

GRAY, F. ELIZABETH, ed., (2012), Women in Journalism at the Fin de Siècle: ‘making a name for herself’ Basingstoke: Palgrave Macmillan.

GRAY, BREDA, Women and the Irish Diaspora (London and New York:  Routledge, 2004).

GREEN, BARBARA (2012) ‘Complaints of Everyday Life: Feminist Periodical Culture and Correspondence Columns in the Woman Worker and the Freewoman.” in Modernism/modernity vol. 19, no.3 pp 461-485.

GREEN, LAURA, (2019), ‘Rethinking Inadequacy: Constance Maynard and Victorian Autobiography’ in Victorian Literature and Culture, vol.47. no. 3, 487-509.

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