Kathryn Laing has a career-long research expertise in women’s writing and Irish women’s writing in particular. Her wide-ranging publications focus on the works of Hannah Lynch, Rebecca West, Virginia Woolf, and Edna O’Brien. Together with Faith Binckes, she’s co-written the study Hannah Lynch, 1859-1904:…
Tina O’Toole has been recognised as a leading scholar in Irish women’s studies since her first full-length published work, the Dictionary of Munster Women Writers, emerged in 2005 and added important names to the growing list of Irish women writers who had long been…
Julie Anne Stevens is the leading expert in Irish literary studies on the works of the cousins Edith Somerville and Martin Ross. With two monographs on these collaborators – The Irish Scene in Somerville and Ross (2007) and Two Irish Girls in Bohemia: The…
Mary S. Pierse edited, in 2010, the pioneering Irish Feminisms, 1810-1930 (Routledge). In these five volumes, she brought together 180 documents from a variety of genres that invite enticing and creative connections between historical documents, periodical press contributions, and literary texts. ‘The scale of…
David Clare, Fiona McDonagh and Justine Nakase are in the final stages of a project that promises to be a milestone in scholarship on women’s contribution to Irish theatre. They are co-editing the weighty two-volume collection The Golden Thread: Irish Women Playwrights (1716-2016), forthcoming…
Margaret Kelleher’s first monograph on The Feminization of Famine and her co-edited volume on Gender Perspectives in Nineteenth-Century Ireland, both published in 1997, had gender questions at the very heart of her research. Her seminal work interrogated questions of tradition and canonicity in such…
The publication in 2002 of The Field Day Anthology of Irish Writing: Women’s Writing and Traditions volumes 4 and 5 was a watershed moment in Irish literary history. Gerardine Meaney was among the principal co-editors of this endeavour, which evolved in response to the…
Lucy Collins’ Poetry by Women in Ireland: A Critical Anthology 1870-1970, published by Liverpool University Press in 2012, has made a crucial intervention in the field of Irish women’s literary history. As one reviewer described it, it reveals ‘a hitherto hidden history of poetry’…
Heidi Hansson’s edited collection New Contexts: Re-Framing Nineteenth-Century Irish Women’s Writing (2007) has been praised by reviewers for its call for the field of literary studies to be augmented and for ‘addressing women’s literature as a “distinct tradition”’. Together with her monograph Emily Lawless…